Esta semana de tanxentes, Malva e Duarte envían o seu cariño aos ladróns das xoias do Louvre, comentamos o último tema de Rosalía, e, para variar, falan en galego sobre o uso do galego. Como tema central tocan o hiperindividualismo, as conversas incómodas e o rara que é a xente coes creadores de contido.
No Nadal de 1952, Laureano Graña marchou de Marín para sempre. Deixou atrás unha familia, sen deixar rastro, e acabou en Itacaré, un pobo perdido na costa de Brasil. Alí comezou unha nova vida con 50 anos. Que historia é a que nos conta o relato das diferentes faces de Laureano Graña?
Unha das principais diferenzas entre unha sociedade que prospera e outra en retroceso é que a sociedade avanzada é «integradora» mentres a estancada ou en declive caracterízase por unha mentalidade «expulsatoria».
«Correntes do Atlántico» é unha viaxe sonora na busca dos nosos contos migrantes, que tomaron en América as formas máis diferentes. Os relatos daquelas que volveron a Galicia cas súas maletas cheas, os dos que nunca regresaron e as de todos aquelas galegas e galegos que atopamos no camiño con algo que contar.
Moito se fala das causas do ascenso do fascismo. Uns din que é unha reacción á falta de traballo, ao estado da economía, ao problema da vivenda..., pero eu penso que o ascenso do fascismo no mundo e no noso país en particular ten moitísimo que ver coa perda do norte dos homes. O patriarcado demostra que antes de morrer xa nos mata.
A democracia pode estar ferida, pero non está morta. Cando menos aínda dá sinais de vida: o acto de Gabriel Rufián e Emilio Delgado celebrado na sala Galileo Galilei a semana pasada tivo un éxito sospeitoso.
As tanxentes de Malva e Duarte son como caixas sorpresa: non sabes que van conter ata que decides abrilas. E pensamos que, acompañados de novo neste episodio por Sara Riveiro, elevaron esta semana o concepto á enésima potencia.
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